Category Archives: Panels

Three days

By alok nandi | Published: 08/11/2009
Three hyperactive days of Post-Flux just finished with a wide spectrum of themes and topics covered. Everything has been dismantled and packed at Bozar. Thanks to all the speakers and the participants to the workshops and the audience. Thanks to all the partners in helping making these three days. Post-Flux triggered many conversations about the place of [...]
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by Armin Medosch at Post-Flux day 2

By alok nandi | Published: 07/11/2009
Thenextlayer.org (TNL) was started two years ago with the aim of providing an open-content platform for collaborative research that works around notions of “open source methodologies”. It invites artists and researchers to not only share finished products such as well polished essays but to engage in an exchange of ideas at an earlier level, to [...]
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See you at Bozar

By alok nandi | Published: 06/11/2009
Friday 9:43 am Ready to meet at Bozar.
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DROPSTUFF at Post-Flux

By alok nandi | Published: 03/11/2009
Friday afternoon, Post-Flux audience will know more about DROPSTUFF DROPSTUFF.nl is a new platform for media art and e-culture that broadcasts both artworks by professional artists and creative contributions from the public themselves LIVE on a growing network of DROPSTUFF HOTSPOTS in museums, libraries, railway stations, schools and art academies. Base camp is a ‘glass house pavilion’, a mobile [...]
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Affective Creative Systems

By alok nandi | Published: 31/10/2009
The Tamuraj lecture entitled “Affective creative systems” In this talk the Valery Vermeulen from Office Tamuraj will explain the basic principles and ideals behind the EMO-Synth project. Topics that will be discussed include affective computing, creative evolutionary systems, creative Turing test and interactive genetic programming. The Tamuraj lecture is entitled “Affective creative systems” and will take place [...]
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by David Vanderburgh

By alok nandi | Published: 30/10/2009
David Vanderburgh links to http://gutenberg.net.au/ebooks06/0600571h-20.jpg and says I think “the digital” is a new way of stating an old question around the relation or tension between “analogical” and “logical” representations of the world.  Mapping is one particular example, fascinating to me in the way that it both emphasizes and takes advantage of that dichotomy. Thanks to share links or [...]
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by Maja Kuzmanovic

By alok nandi | Published: 28/10/2009
Maja Kuzmanovic shares some questions triggered by “Post-Flux”: Can a flux ever end? Why is there a ‘new media’ fatigue? What happened to the digital pioneers of the ’90s? What will happen when digital becomes suffused in the physical in the everyday context? How can open (re)source culture be adapted from software to all human endeavours? Can personal fabrication change our [...]
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Human 2.0

By alok nandi | Published: 22/10/2009
Business and marketing seems to look back at Human. In a very “business” context at Tour & Taxis in Brussels, this 22nd October: Human2.0, the evolution from system-centric or application-centric to “user-centric” Organisations that want to differentiate themselves in the field of communications, will stay ahead. Targeted use of the newest communication technologies leads to efficiency and [...]
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Presence and Trust

By alok nandi | Published: 19/10/2009
In her opening speech Dr. Caroline Nevejan will present her work on Presence and Trust. Over centuries social structures have been built by orchestrating presence. Being witness to each other, when sharing time and place, was crucial in the negotiation of trust and truth. Current technology has deeply invaded in these processes because it facilitates [...]
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dancers-avant-premiere

By alok nandi | Published: 18/10/2009
An avant-premiere announcement presentation and also in Pecha Kucha: DANCERS! is an interactive video data base of professional dancers of any style or technique improvising within a precise context : 2 minutes, defined space, exact lighting, chosen music. Designed by Bud Blumenthal, the DANCERS! project aims to put the dancer in the center to demonstrate his/her art [...]
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